Classical Dances — Set 7
Arts & Culture · शास्त्रीय नृत्य · Questions 61–70 of 100
Which classical dance form features the 'Dasavatara' (ten incarnations of Vishnu) as a common choreographic theme?
Correct Answer: A. Odissi
• **Odissi** = Odissi is a classical Indian dance form that frequently features the 'Dasavatara' (ten incarnations of Vishnu) as a common choreographic theme. • **ten** — refers to the number of principal incarnations of Vishnu depicted, allowing dancers to showcase various character traits. • 💡 Wrong-option analysis: [Sattriya]: primarily originated in Vaishnavite monasteries of Assam, focusing on Lord Krishna themes; [Kuchipudi]: a dance-drama tradition from Andhra Pradesh, also Vaishnavite but 'Dasavatara' is not its exclusive common theme; [None of the mentioned]: Incorrect, as Odissi is a specific dance form where 'Dasavatara' is a prominent theme.
The 'Kohl' or 'Mardala' drum used in Odissi is equivalent to which drum in Hindustani music?
Correct Answer: A. Pakhawaj
• **Pakhawaj** = The 'Mardala' drum used in Odissi is technically equivalent to the **Pakhawaj**, a horizontal barrel-shaped drum found in Hindustani music. • **'Deva-vadyam'** — indicates its revered status as a divine instrument in Odissi tradition. • 💡 Wrong-option analysis: [Dholak]: a simpler folk percussion instrument, not as technically complex or formally used in classical Hindustani or Odissi; [Tabla]: a pair of drums primarily associated with North Indian classical vocal and instrumental music, distinct from the Mardala's shape and sound; [Khol]: while also a barrel drum, it's particularly associated with devotional music and Sattriya dance, not directly equivalent to Mardala in Odissi.
Which classical dance form uses the 'Hosta Mudras' (hand gestures) as per the 'Hastha Lakshana Deepika'?
Correct Answer: D. Kathakali
• **Kathakali** = **Kathakali** is the classical dance form that uses the 'Hosta Mudras' (hand gestures) as per the specific text **'Hastha Lakshana Deepika'**. • **24** — refers to the number of root mudras in Kathakali that can combine to create hundreds of detailed meanings for narrative. • 💡 Wrong-option analysis: [Bharatanatyam]: primarily follows the 'Abhinaya Darpana' for its mudra vocabulary; [Kathak]: emphasizes spins and footwork, with mudras being less central compared to other classical forms; [Manipuri]: uses gentle, subtle mudras influenced by Vaishnavite traditions, but does not specifically follow 'Hastha Lakshana Deepika'.
The 'Gopinath' style is a specific variation of which classical dance form?
Correct Answer: A. Kathakali
• **Kathakali** = The **'Gopinath'** style, also known as 'Kerala Natanam', is a simplified variation of **Kathakali** developed by Guru Gopinath. • **'Kerala Natanam'** — is the name given to the modernized version of Kathakali, making it more accessible to contemporary audiences. • 💡 Wrong-option analysis: [Odissi]: an Eastern Indian dance form, unrelated to the 'Gopinath' style which originated in Kerala; [Mohiniyattam]: another classical dance from Kerala, but 'Gopinath' style is a variation of Kathakali, not Mohiniyattam; [Bharatanatyam]: a South Indian dance form from Tamil Nadu, distinct from the Kathakali variations.
Which classical dance form traditionally performed in temples was revived by the poet Vallathol Narayana Menon?
Correct Answer: D. Mohiniyattam
• **Mohiniyattam** = **Mohiniyattam**, a classical dance form traditionally performed in temples, was significantly revived by the poet **Vallathol Narayana Menon** who founded Kerala Kalamandalam. • **Kerala Kalamandalam** — the institution founded by Vallathol to formalize the training and revive Mohiniyattam and Kathakali. • 💡 Wrong-option analysis: [Sattriya]: from Assam, revived by Srimanta Sankaradeva, not Vallathol Narayana Menon; [Kuchipudi]: from Andhra Pradesh, revived by Siddhendra Yogi and others, not Vallathol; [Odissi]: from Odisha, revived by various gurus in the mid-20th century, not directly by Vallathol.
The 'Varnam' is the most complex and long item in the repertoire of which dance?
Correct Answer: B. Bharatanatyam
• **Bharatanatyam** = The **'Varnam'** is the most complex and longest item in the repertoire of **Bharatanatyam**, alternating between pure dance and expressive acting. • **45 minutes** — the approximate duration a single Varnam can last, showcasing the dancer's endurance and mastery. • 💡 Wrong-option analysis: [Manipuri]: known for its gentle, fluid movements and emphasis on devotion, without a specific 'Varnam' structure; [Sattriya]: features specific items like 'Ankiya Naat' and 'Borgeet', but 'Varnam' is not part of its repertoire; [Kathak]: emphasizes intricate footwork and spins, with items like 'Thaat' and 'Tukra', not 'Varnam'.
In which dance form does the 'Sutradhara' act as the narrator and conductor of the play?
Correct Answer: D. Sattriya
• **Sattriya** = In **Sattriya**, the **'Sutradhara'** acts as the narrator and conductor of the play, introducing characters and explaining the plot through rhythmic prose. • **ancient Sanskrit theatre traditions** — highlights the historical lineage of the Sutradhara's role, connecting Sattriya to classical Indian drama. • 💡 Wrong-option analysis: [Manipuri]: narrative is typically conveyed through subtle movements and devotional songs, not by a 'Sutradhara' in the same theatrical sense; [Kathak]: often involves a dancer interacting with musicians, but does not have a formal 'Sutradhara' narrating the entire play; [Odissi]: storytelling is conveyed through 'abhinaya' (expression) and poses, with minimal explicit narration during performance.
The 'Chatur-varna' or four-fold division of Abhinaya is followed by which classical dance?
Correct Answer: B. All classical dances
• **All classical dances** = The **'Chatur-varna'** or four-fold division of Abhinaya (Angika, Vachika, Aharya, Sattvika) is a fundamental theoretical framework followed by **all recognized classical Indian dance forms**. • **four** — represents the primary categories of acting (body, speech, costume, internal emotion) that are integrated into every classical dance. • 💡 Wrong-option analysis: [Only Kathakali]: Incorrect, while Kathakali heavily uses all four, the concept is universal to all classical dances; [Only Kuchipudi]: Incorrect, Kuchipudi incorporates these, but it is not the sole dance form to do so; [Only Bharatanatyam]: Incorrect, Bharatanatyam is based on this, but it's a foundational concept for the entire classical dance tradition.
Which classical dance form originates from the same region as the 'Kalari' martial art?
Correct Answer: C. Kathakali
• **Kathakali** = **Kathakali** is the classical dance form that originates from the same region, **Kerala**, as the 'Kalari' martial art, Kalaripayattu, sharing physical training methods. • **Kerala** — the common origin state for both Kathakali and Kalaripayattu, fostering a unique synergy between them. • 💡 Wrong-option analysis: [Odissi]: from Odisha, a different region with distinct martial arts traditions; [Sattriya]: from Assam, having its own cultural and martial heritage, separate from Kalari; [Bharatanatyam]: from Tamil Nadu, also a different region with distinct martial arts such as Silambam.
The 'Nuni' and 'Patu' silk are used to make the costumes for which dance?
Correct Answer: C. Sattriya
• **Sattriya** = The **'Nuni'** and **'Patu'** silk, traditional Assamese varieties, are specifically used to make the elegant costumes for **Sattriya** dance. • **Brahmaputra valley** — the geographical region whose cultural identity is reflected in the traditional Sattriya costumes made from these silks. • 💡 Wrong-option analysis: [Kathak]: uses elaborate Anarkali-style costumes or lehenga-choli, not specifically 'Nuni' or 'Patu' silk; [Odissi]: features vibrant silk sarees (Pattasaree) with traditional motifs, but not specifically 'Nuni' or 'Patu'; [Manipuri]: costumes like the 'Kumil' (stiff skirt) are made of silk and other fabrics, but 'Nuni' and 'Patu' are specific to Assam.